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The percussion section will have its hands full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme. Between and in particular there is some brilliant, almost mathematical technical work. Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece that deserves greater exposure than just this single weekend.

The opening makeoveer is set as a simple quartet, played and marked semplice by two solo cornets, a horn and euphonium. The first metamorphosis emanates from a single tone, to which the two successive tones from the theme are added in bell-like chords. Bb Trumpet III 2. Eb Alto Sax I 2. His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and musicals.


Trombone I C meiu. It is certainly something different, but something that really does work well. Some of the technical writing is frightening in its difficulty and no one is spared. He has won a number of international prizes and is recognised both in his home country and abroad as a composer of distinction. It is marked Andante Cantabile as befits the original and could easily win or lose the contest for any band if approached in the wrong manner.

Bb Trumpet II 2. He is much in demand as a guest conductor: This fragile movement is joined seamlessly to the finale, a canonic treatment of the joha. There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount.

Besides composing, Johan de Meij is also very active in various musical fields. Eb Baritone Sax 2.

Extreme Make-over (Score & Parts)

This group eventually provides the accompaniment for an extensive marimba solo, gradually producing a sort of gamelan effect. Bb Tenor Sax 1. Maieover this all is an extended Marimba solo which becomes more and more complex as it heads to its conclusion and is joined finally by the xylophone and the remaining brass players. Bb Trumpet I 2. F Horn I 2. Bb Trumpet IV 2.

de Meij, Johan – Extreme Make-over (Score & Parts)

Klezmer Classics Planet Earth Score: Johan de Meij Jkhan, September Here lightness returns, but with complex undercurrents in the horns and baritones. In Tchaikovsky arranged this movement for cello and orchestra. The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, and complex rhythmic patterns emerge from what is seemingly musical chaos.


The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections. The middle section is a tad overlong and can be exreme as an attempt to rest the players before the final onslaught.

2005 European Championships – Extreme Make-Over – Set Test Piece

Johan de Meij Amsterdam, September Instrumentation 1. In fact this section takes close on three minutes to play, but the effect can be spectacularly beautiful.

It ends with discordance and a final metamorphosis to the last immense chord that closes a work of ecore brilliance. However, the metamorphosis quickens as we progress and the traditional fugue effect of added subjects becomes mixed. F Horn II 2. Anticipating the canonic theme from the finale, a timpani solo forms the transition to the Alla marcia.