This is the kind of CD that only ECM’s producer Manfred Eicher could come up with. The juxtaposition of Johann Sebastian Bach and Anton Webern makes. Ricercata) a 6 voci (arranged by: Anton Webern) Of the thirteen pieces of exquisite Bach known to us as the “Musical Offering”, the Fugue has the most. Johann Sebastian Bach Anton Webern Ricercar The Hilliard Ensemble Monika Mauch soprano David James countertenor Rogers.

Author: Toktilar JoJohn
Country: Nigeria
Language: English (Spanish)
Genre: Technology
Published (Last): 6 February 2016
Pages: 329
PDF File Size: 18.91 Mb
ePub File Size: 17.51 Mb
ISBN: 129-6-26049-807-1
Downloads: 35876
Price: Free* [*Free Regsitration Required]
Uploader: Mazujar

This page was last edited on 1 Octoberat The Ricercar a 6a six-voice fugue which is regarded as the highpoint of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history partly because it is one of the first. Release Date March 31, Igor Markevitch produced a realization for three orchestral groups and, for the sonata movements, solo quartet violin, flute, cello, and harpsichordwritten in When Webern separated almost every descending minor second from the following one by means of phrasing and ricecrar, as well as the changing timbre of three alternating instruments, as if they ricerar isolated sighs, he came in ricercqr interpretation remarkably close to the romantic weltschmerz-chromaticism characteristic of, say, Mahler, and of his own generation.

Rainy Day Relaxation Road Trip. Johann Sebastian Bach Fuga 2.

Bach-Webern Ricercar a 6 – IMSLP Forums

Not unlike the preceding cantata, it awakens in plush contours into a duet of sorts before regaling us with tutti and solo passages in turn. On the other hand it is manifest that Webern did qebern have in mind a faithful adaptation along the lines of a purist evocation of style. Cantata 4 “Christ lag in Todesbanden” Anton Webern: The effect is more personal than a traditional choral performance.


Ricercata a 6 voci Johann Sebastian Bach Fuga 2.

Authority control MusicBrainz work: Symmetry, the cyclic evolution of a musical germ and the idea of birth in the midst of death: Johann Sebastian Bach Composer. The “Ricercar a 6” has been arranged on its own on a number of occasions, the most prominent arranger being Anton Webernwho in made a version for small orchestranoted for its Klangfarbenmelodie style i. Sorry, your blog cannot share posts by email.

Ricercata a 6 voci. Evening in the Palace of Reason: Apart from the trio sonata, which is written for flute, violin and basso continuothe pieces have few indications of which instruments are meant to play them, although there is now significant support for the idea that they are for solo keyboard, like most of Bach’s other published works.

The interrelation of motifs is impossible to miss. Introspection Late Night Partying. And so successful is the conceit that this otherwise tired trick is incredibly effective.

Category:Webern, Anton/Arranger

Rkcercar then returned to Leipzig to write out the Thema Regium “theme of the king”: The Musical Offering of Quintilian”.

And, if Webern could orchestrate Bach, then why not let Poppen orchestrate Webern? He had finished the instrumentation not long before. By using this site, you agree to the Terms of Use and Privacy Policy. The recording venue was a church in Hamburg; the engineering makes the music come alive without losing it in hall resonance.


Category:Webern, Anton/Arranger – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

As he states clearly in a letter to Hermann Scherchen, printed many times since its first publicationwhat he wanted was: The musicians of the Munich Chamber Ensemble play in a similarly spare period manner, albeit while using modern instruments.

Sexy Trippy All Moods. Bach inscribed the rkcercar “Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta” the theme given by the king, with additions, resolved in the canonic stylethe first letters of which spell out the word ricercara well-known genre of the time.

For while it is tempting, of course, to read these works as if they were rjcercar on the brittle wevern of death, one cannot help but feel the affirmation of survival thrumming through their veins. The meeting, taking place at the King’s residence in Potsdamcame about because Bach’s son Carl Philipp Emanuel was employed there as court musician. It’s not heart-warming, but it engages the intellect and sends thought waves off in unusual directions, which is more than one can say about most recent classical CDs.

You are commenting using your WordPress.